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This means that the gates as we see them now are, in effect, a collage made up of separate sculptural elements that, when removed from their original context, took on new life as independent bronzes, marbles and plasters. Many of his best-known statues - The Thinker, Eve, Eternal Springtime, The Kiss, The Prodigal Son and The Crouching Woman all had their origins in The Gates of Hell. While modelling a clay figure, it was his practice to have plaster casts made at several different stages as he worked, so that the sculpture was "caught" at different moments in its evolution from first sketch to finished work of art.